Designer Raymond Davidson developed the glass hand-in-hand with master Scotch blenders to accentuate whiskey specifically, rather than borrowing glassware from other booze industries. Most “industry standard” products aren’t crafted with home users in mind, but the Glencairn can go from tasting room to living room with ease. It’s also the glass Bill Murray drinks Hibiki 17 out of in Lost in Translation.īest Tasting Whiskey Glass Glencairn Whisky Glass The glass’s design receives, contorts and fires light across rooms. The Massena Tumbler is one piece of the larger Massena collection, and it’s perfect for something special poured on the rocks. The quality of the crystal and craftsmanship of the glasses is unparalleled. The company went on to make stained-glass windows, chandeliers and all the fancy-people-in-the-19th-century accoutrements they were commissioned to-including some drinkware. Montmorency-Laval created the company with the express permission of King Louis XV, who is probably best known for losing the French-controlled lands in North America before the Revolutionary War (and setting the table for a revolution a little closer to home). Number in Set: 6 (Amazon), 1 (All Modern)īest Old Fashioned Glass Waterford Lismore Straight-Sided Tumblerīaccarat, the older of the two dominant luxury glassware makers, was founded in 1764 by a wealthy French cardinal named Louis-Joseph de Montmorency-Laval. (That means it can stand in at a party when you’re serving both cocktails and single pours of the good stuff.) It is made of unleaded crystal, dishwasher safe, and, at roughly $12 a glass, on the more affordable end of the whiskey glass spectrum. At 15 ounces, it’s the same size as a classic Old Fashioned glass size and comes without the star, column, and herringbone patterning that adorns so many of its cousins. ![]() The company’s H2O glass is designed to serve a variety of purposes and espouse a clean design that even maximalists will appreciate-once it’s in their hands, anyway. Where there is a niche-but very annoying-problem in the barware world, Riedel usually has an offshoot collection to fill the gap. This means the combination of well-made and simple can be hard to find. ![]() James, Virginia City: Secrets of a Western Part (2012).Broadly, whiskey glassware design is very nostalgic. On this, see Kelly Dixon's work, Boomtown Saloons, or Ronald M. The bartender objected at explained that it was a two-bit establishment at which the customer said that this was his understanding until he tasted the whiskey, which seemed to warrant only a single bit. Elliott in his important book on Rocky Mountain saloons also talks about half bit establishments, but that would have been offering a product for too low of a price for most communities.ĭan DeQuille (William Wright) in his 1876 book The Big Bonanza tells a story about a customer who came into a two-bit saloon, drank a glass of whiskey, and then offered a short bit in payment. Customers at a single bit establishment could pay with a quarter, and they would receive a "short bit" - or a dime - in change, which could then be used for the next round. they either charged a single bit (12.5 cents) for a beer, a glass of whiskey, or a cigar or they charged twice that amount - 25 cents for each. Western nineteenth-century saloons were traditionally identified as single bit or two bit saloons: i.e. A bottle of the "good stuff" would have been correspondingly higher. That would be extremely watered down though. It stands to reason that a so-called "shot" would have been priced somewhere between 10 and 25 cents, and a bottle (of rotgut) would have been $1 or so. ![]() I would agree, however, with Tyler Durden's assessment. Perhaps studying some you might be able to make out price lists above the bars. There are many photos in the site of saloons. However the paragraph is not cited, so whether it is true or not remains to be seen. As to charges for the "other," it remains unknown. Once inside, the women charged their customers 10¢ for a dance, 20¢ for a beer and $1 for a bottle of wine. On its balcony, the Gem band was said to have played every night, while the girls beckoned to potential customers to com forth. The rear of the building held several small curtained rooms where the Gem's "painted ladies” entertained their customers. In the front of the theater were a bar and many seat for spectators. In its discussion about the real Gem Saloon of Deadwood, South Dakota, owned and operated by Al Swearengen (made famous in HBO's Deadwood), it mentions that It goes into pretty good detail about the history of the Old West, including noted people and vices. There is a terrific site, Legends Of America.
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